…yeah, yeah, i know! hey, don’t blame me!

Seriously though, what gives???

What a great night! I will pull the strings of memories out of my head and try to convey the energy and vibe going on at Re-bar last Friday night for Produkt’s eleventh installment of Analog: Everything But the Kitchen Sink. I tend to not review the really good parties because I dance my ass off and pretty much just go into a DJ-induced trance and live in the energy of the dance floor. I lose track of everything around except the DJ and the beats, and a slap-happy gang of purple monkeys could run in behind me and go berserk and I would not notice. This is why there is no BreakBeatBuddha or Glitch Mob reviews, and I am a few days late on this one but I know you want it, so here it goes:

I was really looking forward to the night of breaks, dubstep, minimal techno and a little crazy rat bastard shit thrown in; the lineup was tight and the word was out. Analog has been getting better and better every month; May’s I Like Orange and Techno night was a freaky fun orange-a-thon complete with naked chicks, flying beer bottles, and a guy in his underwear jumping on the decks. 

But the theme for Analog XI was not citrus-laced hoohah; no, the mood was dark and dirty on the dance floor, starting out with the Milkman’s wobbly grime-laden dubstep. The beautiful Produkt dancers were all in black, a nice complement to the atmosphere. Asifa showed up in a big blond wig, and I didn’t even recognize her for about half an hour even though she was dancing right in front of me. By the time Noisemaker and Naha came on for their two-hour set, the scene was straight gritty and ready for some filthy bass, which the two poured over the crowd like a midnight waterfall. At some point an actual kitchen sink was paraded in, much to my delight (mad props for the sinkage to NickyJee, yet another of my bad-ass-up-and-coming DJ friends). Noisemaker effing kills it and the dance floor absolutely loves him; Naha threw down as well with the redonkulous rock star MC Anton Bomb doing his thing over the beats- the best that I had ever seen him.

So this is about where I put on my dance-trance-pants, so you are not going to get a lot of specifics on tracks or what-have-you. Rest assured it was a “YEAH” night for me- on the dance floor often all I can say is “YEAH” or “MORE”. It was “YEAH” all night long. After the crazy bass set, DJ Goner hit it thick like always with his wicked brand of minimal techno. GONER ROCKS. It was also my pleasure to hear him a little later in the weekend for several more hours, and I must inform you that Goner will be taking the Seattle techno scene by storm. He kills, always; he is as intense as his music which HELL! gets you moving. On Friday night the Night Train (Seattle superstar extraordinaire) played some mad harmonica over the deep techno beats. Think harmonicas belong on the range at home with the buffalos? Well then, you need to come out more. The Night Train always gives a twisted take over the electronic music, and with a smile no less.

So it should have been the end of the night, 2AM, last call and all, but wait- we were in for a exclusive appearance as Schlage hit the decks and the bar decided to stay open until 3AM. I really really love Re-bar; it is a dancing club FIRST with a giant floor and the crowd always comes to get down, which is a nice change from the usual Pioneer Square drivel. And to end the night in the sickest fashion, Noisemaker jumped back on the decks and fed us a little more sticky bass, of which we can never get enough. After closing down my fourth dance floor of the week, I went straight home to bed. That’s my story and I’m stickin’ to it.

What makes the Analog parties so consistently ON are the people who come out: the Produkt family always supports their people like mad, and those cats party like it’s the eve of the Armageddon. The dark and bass-thick music gave the dance floor what we wanted, and Analog XI was the best one yet.

This month is Analog XII: Meeting of the Minds (July 25th) where the big boys of four Seattle music collectives will be throwing down to another dance floor full of crazy dancing girls and boys. Jisaan, Ramiro, Mikey Tello, Michael Manahan and J-Sun will be out REPRESENTIN’ their respective crews and you can come out assured the night will go off with deep-house, tech-house, techno, and God only knows what else.

OK everybody- It is HOT, it is a HOLIDAY WEEKEND, and everyone will be out celebrating like fools that we live in an awesome, free country where the right to the pursuit of happiness is one of our nation’s founding principles. So do your civic duty and GET OUT THERE, GET INTO IT, and pursue your happiness, kids, unless he has a girlfriend. Don’t know what to do this weekend? Confused by all the choices? Go where I’m going- ‘cuz that’s always where the party’s at.

Like drum and bass? Tonight (Wednesday) at Pulse at Trinity there is a cherry-sweet lineup with no cover: DJs Jason Curtis, Aaron Simpson, The Dowlz, The Dub What, Contents, and Sonic MC will be giving you all the DRUM AND BASS! DRUM AND BASS! that you could ever want. Brad will be pourin’ ‘em strong.

Like minimal techno? BONKERS goes off this Thursday July 3 at Re-bar; you know you don’t have to work the next day so come out and get crazy with the techno-heads. With the deep, dark, penetrating, throbbing, beats you can’t go wrong. Ever.

Like art and music and want to go to the best party of the weekend? Want to see Noisemaker along with about 5 billion other mad DJs like PrEssHa, Theory, Von Dewey, Ben Shelton, Jisaan, Lovevirus, and B.Fly? See you Saturday night at the Columbia City Theatre for the much-antici…pated Collective Art Project. You will dance your pretty little face off- and oh yeah, there will be art and handmade clothes and HOLOGRAMS to buy, so bring cash.

Like freakish experimental nerdy brain-beat music from the future? Want to catch a glimpse into the evolutionary course of electronic music? Matmos hits the Triple Door on Monday July 7.

Like dubstep? Of course you do, you stoner. UK MASTER of dubstep Kode9 is at Chop Suey Tuesday July 8. Kid Hops and Struggle will be getting the party started; if you are a bass slut, your presence is required. We will be taking names.

Signing off,

DF5K.

If you would like to post this on your myspace profile or blog, please post the link back to this page rather than copy-and-pasting it. That will make Shilo smile.

If you would like to post a comment, please do so below.

If you enjoyed my review and would like to buy me a drink this weekend, that would be a vodka and soda with a lime.

HAPPY 4TH OF JULY!

I am a super French art nerd. I have Chagall on my bedroom door, I made my students research a French artist when I was a high school teacher, I have eaten at the cafe that Van Gogh painted in Cafe Du Nuit. If you travel with me, we are going to the art museum, the big one and the little ones. I can tell you in which crappy little studio Cubism was invented, which train station in Paris inspired Monet with it’s steamy environment, which Impressionist was a momma’s boy, which floor in the Musee d’Orsay you should hit first, and all about the students who died in the streets of Paris for the right to artistic nudity back in the day. I will shut up now.

So predictably I was very excited to visit the new exhibit at the Seattle Art Museum, Inspiring Impressionism, which promises to highlight the roots of the Avant-garde artistic movement as the school of painters evolved from being laughed off the streets of Paris in the 1860’s to today’s current insanely popular status of the genre: come on, even your grandma has a picture of Monet’s waterlillies. 

Back in the day, however, the tawdry gang of Bazille, Monet, Manet, Morisot, Cassatt, Degas, Renoir, Pissarro, and Sisley were freaking rock stars; rebels in the structured French art world who painted what no one dared paint before. They painted scenes of daily life, not posing nobles. They worked spontaneously outside, not in the studio with a plan. They emphasized light over darkness, shunning the color black. They used bright, unmixed color with bold brush strokes, eschewing the traditional goal of trying to achieve reality with their pictures. They favored generalized form over specific detail and focused on the setting of the painting, not the subject. The Impressionists represented a complete break from the the progression of the history of art.

Or did they? The current exhibit at the Seattle Art Museum explores this idea to illuminate the true origins of the Impressionist movement. Inspiring Impressionism looks not at the painters’ childhoods or where they spent their adolescence, but rather it reveals what artists inspired the new school of the Impressionists. And Impressionism is there, lurking in 18th century paintings of the Dutch Masters and peeking out from the walls of the Louvre. You can see the seeds of this revolutionary Impressionist movement beginning to sprout long before Manet painted a naked lady on the grass and scandalized the masses (Le Déjeuner sur l’Herbe, 1863).

Monet may have stated that he was “never influenced by the art of the past”, but that is just the ego of an artist talking. Of course all of the Impressionists were influenced by the works of Michaelangelo, by unearthed Greek Kouros statues, of Spanish works brought to France after Napoleon’s invasion of the Iberian Peninsula. You have been influenced by this art as well, whether you know it or not. Art effects culture which effects identity and that’s you. The Impressionists as well were not isolated from the history of art culture; rather they took their inspiration from it.

Many of the group studied classical paintings in the Louvre; Manet and Degas met there while copying Spanish artist Velasquez’ Infanta Margarita (1656). Some attended the hoity-toity Ecole des Beaux-Arts (School of Fine Arts) on the Left Bank which still churns out annoying art students today. Living in Paris it is impossible not to be inspired by the art of the past; the city is saturated in beauty and art that soon gets inside of you. This was just as true in the 1860’s when the Impressionists were coming of age. The evolution of art is a continual process, a connected and holistic animal whose parts cannot be severed. The exhibit plays this out beautifully, with an easy and compelling story-line along with additional artist info at particular paintings from your cell phone if you so desire. 

The absolute most amazing room of the exhibition is the last one, a small space hung with four paintings from some of the top-name Impressionists: Monet, Manet, Renoir, and Cezanne. The works continue the story of art in your mind and show you without a doubt that the circle of inspiration is still rolling. From Cezanne’s Mont Sainte-Victoire (1906), Cubism jumps out and punches you in the face. Renoir’s The Wave (1882) leans fully into abstraction with red and golden pieces of water swirling up into the sky, as does a close-up of Monet’s Waterlillies which seem to be floating not in his tranquil garden in Giverny, but somewhere in the ethereal consciousness of a flower fairy. Manet’s Gypsy Woman with a Cigarette intensely blends his earlier romantic world view with a forward-looking modernist approach. These four paintings do a brilliant job of showcasing the continual evolution of arts culture, a powerful ending point to the well laid-out exhibit that truly drives the point home. We are all connected; we are inspired by and inspire our fellow human beings. At least that is what we are going for.

This point was made even clearer to me while I was thinking about the exhibit as I was dancing Thursday night at Club Pop at Chop Suey. For the first time in my life, I truly appreciated the decade I was born in: the 70’s. Say what you want about white polyester jump suits, feathered hair, and All in the Family, but the disco movement completely paved the way for the electronic music and hip-hop of today that I love so much. You can hear it in the beats, just as you can see the beginnings of Impressionism decades before the movement had a name. And disco in turn was influenced by Latin rhythms like the Samba, which was itself inspired by beats from the African Congo…it is this continuous flow of ideas which create and evolve not only the arts but human culture in general. We cannot escape the past, nor should we want to; it is a fundamental part of our identity. And besides, I really like disco balls.

Good art makes you think. Great art changes the way you see the world. Inspiring Impressionism makes a profound statement not only about the world of the French Impressionists, but on the connected nature of human existence, which is so important at a time when we must work together to ensure our species’ survival. No human is an island, not even Monet.

Inspiring Impressionism runs at the Seattle Art Museum through September 21; tickets are $20 and there are special discounts for students and seniors. It is highly recommended; even super French art nerds can learn a thing or two. 

The 3rd Annual Seattle Power Tool Race & Derby 2008 took place on Saturday (6-28). The event was part of Artopia in Georgetown. HazardFactory hosted the event. Their claim of faster tools, bigger air, more chaos, and more stupid (huh) turned out to be true. Check out the smashing and crashing that went down.

YouTube | Metacafe
Culturemob was proud to be a co-sponsor of the event!

Go to culturemob to discover more events.

So you wanted to know all about Culturemob.com right? ITV (Independent Television) interviews Culturemob CEO and Founder Steve McCracken outside Seattle’s popular night spot Neumos…hey, wait a minute. That’s me!

Check out this video and find out what I have to say about Culturemob.com

Thanks to Amy and the crew at ITV.

That’s right, you heard me. IFCT is giving away 6 pairs of free tickets to CultureMob readers.

The International Fest of Cinema and Technology will be screening a wide variety of foreign film shorts on the 4th of July weekend.

Where: Northwest Film Forum
Price: $6, $3 students
When: 12:30pm Sat 7.05.08 http://culturemob.com/events/121650
When: 2:00pm Sun 7.06.08 http://culturemob.com/events/121651

News this good bears repeating. IFCT is giving away 6 pairs of free tickets to CultureMob readers. These tickets are good for any of the screenings over the weekend. These passes will go to the first people who respond to admin@ifct.org. If you are one of the ticket winners, the festival will write you back with confirmation. Your free tickets will then be held for pickup at the festival reception area at the Northwest Film Forum. The films are highly unique, spanning various genres ranging from experimental to animation to sci-fi. Most of these shorts have never before been seen in the United States! This year the festival also takes place in Washington DC, Los Angeles, Melbourne, The Philippines and Florida. The Seattle fest will be taking place at the Northwest Film Forum 1515 12th Ave, July 5th and 6th. Check out the website at www.ifct.org/seattle.html

Find more film events here at culturemob.com

Seattle based group “Manooghi Hi” perfoms in Fremont Sunday June 22nd at the Fremont Fair Rocket Stage 11:30am (event page) and at ToST 6pm (event page). Manooghi Hi welcomes back renowned Indian vocalist Mehnaz from Mumbai for summer performances to support their release of “Hi” beginning at the Fremont Fair.

Other members include: Mark Nichols, Todd Fogelsonger, Jimmy Thomas, John Hollis and Ava Chakravarti. I talked to the band about their upcoming shows and other news. Then I made a video of it here.

The band describes their music as an “ethnic mix of rock, pop, soul, and theatrical whimsy” which “Mehnaz’s clear, trilingual, rhythmic voice” creates “a sound that crosses many boundaries.” You can check out their music and get the latest about Manooghi Hi on their myspace page.

Manooghi Hi’s Fremont Fair event page and the ToST event page at culturemob.com

Head Like A Kite CD Release Party at Neumos June 26th for Free! Doors open at 8pm. So now that you know, you won’t want to miss it. Head Like A Kite just released their CD this Tuesday June 17th. The CD is called There Is Loud Laughter Everywhere (Mush) and it’s awesome.

We told you all about it a few days ago right here. We also told you we’d continue with the Culturemob exclusive interview with Dave Einmo of HLAK. So here it is Mr Fox Mulder, the truth you’ve been looking for.

Now you know how Dave came up with the name Head Like A Kite. A special shout out to the drummer Trent Moorman.

Speaking of the CD release party, special guests will include:

Smoosh
Foscil
DJ set by Glue
DJ set by Graig Markel of The Animals At Night
& MC Troy Nelson

Motorik plays live at the Blue Moon Tavern this Friday 6/20/08 for Free. They’re joined by Holy Name Dropouts and 3-Way Switch. Click here for more details.

I’ve seen this band at Skylark, Sunset Tavern and even the Nectar Lounge. It don’t matter where they play cuz they always bring the heat.

Motorik is a term coined by music journalists to describe the 4/4 beat often used by some so-called “Krautrock” bands such as Neu! and Kraftwerk (promoting the official CD release of Neu!’s back-catalogue, Klaus Dinger stated he called it the “Apache beat”).[1] The word “Motorik” means “motor skill” in German. - wikipedia

catch motorik at the blue moon tavern

Come hang out with the Culture Mobsters and get your happy hour on and your weekend kicked off right this Thursday at Moe Bar from 4:30-7PM. You can also check out the new Pike Street Fish Fry which is smooshed between Nuemos and Moe Bar; this little seafood shack has been getting stellar reviews all over town and serves fried catfish, fish balls, grilled octopus, and deep-fried lemon slices. 

I will be enjoying the deliciousness that is fried catfish with a tall, cold Manny’s (or two).

Read more about this event here.